Blog Post Promotion on Social Media: Instantly Hooking Reader Attention

[This is all the space you have to grab a reader's attention when your post is promoted on social media. Sometimes you have] a little more space, sometimes you don’t. It works the same way as the first paragraph of a novel, if you don’t hook the reader in that “prime real estate,” you lose their interest.

primepromoeg1Let me give you an example or two. When you post a link on Facebook, whether on your timeline or page, you get an image and the best part of a long sentence.

If you use this space to say, “This is part 28 of my series on books…” your blog post may not come across as appealing to read. The same works for guest posts where you introduce people, rather than letting their message pull in interest. “Joining me today as part of the “Lessons from the Writing Life” Guest Post series is Molly Jones…” I am out of promotional space. No one sees who Molly is, or why they should use their limited time to read the post.

primepromoeg3Google Plus works the same way. Unless you write an introductory comment to attract attention, you get a blue hotlink and the first sentence. That’s all.

Please do visit Sonia’s blog, Gutsy Living. It’s awesome. http://soniamarsh.com  That wasn’t enough either was it? Again, so much of our success in gaining promotion comes from great tag lines. “Sonia’s blog features ordinary people who overcome the challenges in their lives. It empowers me when I read it.”

If you are a Triberr user, you have yet another problem. The tag line from your blog can get in the way of Triberr promoting the first line of your post. All the readers will see for any post is “CommuniCATE features resources for writers which are published twice weekly.” That is useless. Because of this, I deleted my tag line. I noticed my share stats had dwindled and this was why. Here is what a well done post on Triberr looks like. (You may prefer no hashtags in the title.)

primepromoeg2

So think about what you put in that all important space. It will make a significant difference.


This blog post by Cate Russell-Cole is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. You are free to share and adapt it.

No images on this blog may be copied, captured, or altered for your own purpose without the consent of the originating owner. 

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Creative Gestation: The Benefits of Giving Work “Off Time”

Any writer knows how it feels to finish a brand new piece: The excitement is intense. This one, we tell ourselves, is the best we’ve ever written. Quick! Let’s submit it! Hold it right there, Shakespeare. Not so fast.

One of the biggest favors you can do for your work is allow it to rest. Put it out of sight and out of mind for a while, and then come back to it with fresh sight and a sense of objectivity. Let the bright gleam of novelty age into the patina of reason, and then assess this “masterpiece” you’ve created.

johnspenimageoriginunknownExperts have termed this practice of waiting “creative gestation,” and much like the shaping of a child in the womb, producing quality work requires a degree of time, no matter what genre. By coming back to your writing later on, you’ll find that certain word choices can be improved, images can be sharpened, and other enhancements can refine your work even further. Rather than sending an immature, embryotic creation to editors, you’re handing over “your baby,” fully developed, delivered, and ready.

Some poets like Philip Levine and Billy Collins have advocated putting a piece away for a year or more, while other artists and writers say a week or so is better than adequate. My own writing, I’ve found, undergoes a “gestation” of about two to three months – this allows many eyes to see it, and plenty of time to elapse between re-readings and revisions before I’m ready to submit. And of course, like that of all artists, my work is constantly in flux, even after acceptance and publication.

Even short breaks from the screen, page, or canvas can help, however. Getting up, stretching, walking short distances at a brisk pace, or grabbing a light snack and beverage can create cognitive distance from your work, allowing for new perspectives upon returning to it. Also, by allowing oxygen to circulate to the brain via the bloodstream, creators can ensure that their grey matter is functioning at optimum levels consistently, research indicates. Classroom educators have known this trick for a while, incorporating “brain breaks” into everyday cooperative learning structures so that students stay focused and alert. The same research applies to adults and artists: get off your backside and your brain won’t backslide.

Every writer has different practices and habits, and for some, creative gestation may take more or less time to be truly effective. No matter how many days or weeks it takes, however, one thing is for certain: Creative gestation allows for better decisions, improved insights, and real maturity of one’s work.

john03bJohn Davis Jr. is a Florida poet whose work has been published in literary venues internationally. His poems have recently appeared in Deep South magazineSaw Palm magazine, and Touch: The Journal of Healing, and he has forthcoming poetry in The Wayfarer. His book, Growing Moon, Growing Soil: Poems of my Native Land, is available through Amazon and other fine retailers. His website is: http://www.poetjohndavisjr.com/


This blog post is Copyright John Davis Jnr 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without the author’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-use.

Coping with a Cynical Critique, by Sandra Nikolai


Equator-1-Gallery-300x225Like any writer who wants to succeed, I spent years learning about the profession and refining my skills. I attended writers’ conferences, studied how-to books on writing and publishing, and read piles of novels in a variety of genres.

Armed with a draft of my first mystery novel, I took the next step in the process: I found a mentor through a writers’ group I’d joined. My mentor offered to review the first and last thirty pages of my novel and email her comments to me after a month’s time.

At the end of the session, her email arrived and I was eager to read it. As my eyes flew over the words, disbelief stifled enthusiasm. Her remarks were sarcastic and stung as much on screen as if she’d read them out loud in a room full of people. She proposed drastic changes to the characters, settings, and plot. She even advised me to re-write the entire story in the third person. (I’d written it in the first person.) In closing, she defended her position as a “tough editor” and hoped her comments would help me write a better book.

You’ve got to be kidding!

My next reaction was to send “Miss Sarcastic” a nasty email but I decided against it. It wasn’t worth the time or energy to respond to someone who was inconsiderate and rude. I’d just file a complaint against her on the evaluation form I had to complete and send it off to the writers’ group headquarters. And yet…

I read Miss Sarcastic’s comments again. Her mocking attitude had dealt a serious blow to my ego, but what if she was right and my story did need a revamp? After all, she had a handful of published mystery novels under her belt and had mentored other writers. I was…well…green. Surely she must know what she’s talking about. And so I conceded, knowing that the revisions to my manuscript would entail a major upheaval. In fact, the task proved a lot more difficult than writing the book in the first place and took months out of my life. After I’d finished, I put it aside. When I read it a week later, I was disheartened. It was no longer my story. The changes I’d made had sucked the life right out of it. I hated it.

Not one to accept defeat, I reviewed Miss Sarcastic’s comments again—this time from an unbiased perspective. I dug out my original manuscript and integrated the changes that I felt would benefit the story and ignored the rest. After I finished, I had to admit it was a stronger novel.

I recently heard that my mentor has abandoned her writing career. Her book sales weren’t doing well, so she accepted a job with a media firm. If anything, I owe her a modicum of gratitude. The experience inspired me to set up guidelines that I’ve since followed when reviewing critiques of my work. I’d like to share them with other writers in the hope they might find them useful too:

1. Take the time to review a critique. Let it ferment. You might interpret it differently later on.

2. Try not to take a negative critique as a personal insult but consider it with an open mind.

3. A negative critique gives you a choice: either fix the problem or ignore it. Consider how any change will affect your story. Will it strengthen or weaken it?

4. No one knows your characters or plot as well as you do. If a suggestion for a change doesn’t fit— no matter how good it might sound, don’t force it into the story.

5. Growing as a writer means heeding your inner voice or gut feelings. Trust your writer’s instincts more often. If you believe that a change will improve the story, do it. If not, move on.

Happy writing!

CWC-Member

Meet Sandra Nikolai

Bio-234x300Sandra was raised in Montreal, Québec, and graduated from McGill University. As a young girl, she loved reading the Nancy Drew mystery series and was determined to write her own stories one day. Her career choices didn’t exactly lead her along the “yellow brick road” to writing mystery novels—though working in a bank and experiencing a string of armed robberies did ingrain terrifying memories worthy of a story!

In 2002, Sandra won an Honorable Mention in Canadian Writer’s Journal short fiction competition. She has since published a dozen short stories online and in print. False Impressions is her first mystery novel in a series featuring ghostwriter Megan Scott and investigative reporter Michael Elliott. She is currently working on Fatal Whispers, book two in the series.

Sandra is a member of Crime Writers of Canada and Capital Crime Writers.

You can catch up with Sandra at her beautiful website and blog:


This blog post is Copyright Sandra Nikolai 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without the author’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-use if it is for a commercial venture.

A to Z Blog Challenge #18

Reblogged from My Rite of Passage:

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RELATIONSHIPS: the sweetest side of marketing

So says Cate Russell-Cole, an experienced creativity teacher and author. She has been published in many local and Internet e-zines, magazines and newspapers; and she has researched, written and taught her own courses since 1990. Her most successful course to date is Write Your Life Story, which has a thriving community on Facebook.

Read more… 410 more words

While marketing has to sit near the top of my priorities, I often loathe it. It's a passionate love - hate relationship. However, it has a sweet side: the new friends, growth and serendipitous discoveries that promoting myself has tumbled me into. When Belinda invited me to write a guest post for her blog, My Rite of Passage, this is the topic I chose. So for those of you who are shy or battle with pushing your work forward, this post is especially for you.
P.S. This is the other thing that makes marketing and interacting worthwhile. I was in Twitter working on promotion for a guest post on memoir writing on Kathy Pooler's blog, when I saw this share of my post: bodice rippers funny promo This is indeed not what the guest post was about at all... not even close! Hilarious moments like these make the boring slog worthwhile. Thank you Bodice Rippers for your generous share.

You Don’t Have to be a Novelist: Exploring Other Forms of Writing, by Damian Trasler

photoWhen I was fourteen, I wanted to sit at a battered Olivetti, with my fedora perched on the back of my head, and rattle off gritty sci-fi novels of intergalactic adventure. Instead I would rattle off essays on the meaning of life, and novels based on the imagined future lives of my friends.

Lucky for me (and them,) all these things are either lost or filed into oblivion. Given the chance to stay home full time when my first daughter was born, I revived my writing ambition My daughter was unbelievably well-behaved, requiring very little hands-on care. We went for a walk every day, and she would sleep in her chair beside my desk, or sit on my lap when she got older. I sold my second short story to a magazine, and my very first non-fiction piece was picked up too. It was an unfair beginning, giving me a strange idea of how easy writing success could be.

From there I found it almost impossible to get into print again. I wrote and submitted dozens of short stories, shopping them around every feasible publication. I tried different genres, competitions, different forms… nothing worked. Luckily, I had picked up a job I could do from home, editing a magazine for R.A.F. families (since my wife was a serving officer at the time,) so I could still count myself a writer: I had to produce most of the content!

scan0002My break came when I was told to go out and meet people. I joined a Theatre Club and they were looking for a play to enter in a performance competition. They had heard I was a writer, and asked me to write a play for them. I had never written a play before, though I had spent some time in amateur dramatics in my youth. Since I was a writer having trouble getting a novel finished, I wrote a play about a writer having trouble getting a novel finished. We took the play on to the competition and won an award.

Shortly thereafter, an old friend asked if I could co-author a pantomime with him and a friend. He had found a new type of publisher who was willing to take on the script. This publisher existed only on the Internet, putting scripts up in a format that could be read onscreen, but not copied. Then customers could pay online and download the script immediately. I mentioned that I had an award winning play at home, plus a couple of other scripts I had written since then, and he agreed to host them too. Within fifteen minutes of my first script appearing on the site, it had sold to someone in America: the other side of the world!

From those beginnings, my writing partners and I have added many more scripts to our catalogue, and they sell well enough. More rewarding are the communications from groups all around the world, telling us of their successes, passing on press clippings and photographs of our plays and pantomimes. I have received emails from places I will never have the chance to visit, but they have performed my plays, recited my words and delighted audiences I can’t even imagine.

CoffeeTimeTales_2006I am a writer now. Despite the half-dozen odd jobs I’ve taken on since those early days, writing is what I do. I don’t make the money of a JK Rowling, or an E.L. James. Although I believe that quality is vital, that you should strive to produce the very best work you can, there are other factors that influence success. One is chance, which you can’t manipulate. You can’t ensure that your manuscript is picked up by the right person on the day they’re ready for a story like yours. But you CAN do things to increase that likelihood : You can polish your manuscript until it’s as near perfect as possible. Check the submission guidelines to avoid falling at the first fence. Look for an agent to give your submission more appeal. Be open to other forms of writing: you don’t HAVE to be a novelist, you know!

Sometimes life takes you in a different direction. I say it’s worth hanging on and enjoying the ride.

Follow Damian

Read Damian’s Work

TroubledSouls006Writing a play cover


This blog post is Copyright Damian Trasler 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without the author’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-use if it is for a commercial venture.

Never Too Old To Play

While I am on annual leave, here is a creativity post about my favourite Mythbuster. Find the time to play! It will revitalise you.

If you think play can’t get you anywhere in the world, then have a look at the achievements of Mythbuster Adam Savage. Play has led Adam to a deep interest in science and a rewarding, somewhat lucrative career. http://www.adamsavage.com/

Adam describes his career this way: “I’ve been building my own toys since I was five or six, and have worked in the Special Effects industry, both film and commercial, for the past eight years or so. I have also worked as an animator, graphic designer, rigger, stage and interior designer, carpenter, scenic painter, welder, actor, writer, and Television Host… As a collector of skills, I’ve worked in metal, glass, plastics, neon, injection molding, vacu-forming, pneumatics, hydraulics, electronics, casting and moulding, welding, brazing, machining, lathing, wood, animatronics and robots. Adam built himself the dictionary stand below.

I’ve worked on over a hundred TV commercials, a dozen or so feature films, and am currently hosting the show “Mythbusters” on the Discovery channel. I’ve worked on Star Wars Episodes I and II, Space Cowboys, Galaxy Quest, Terminator III, the Matrix sequels, and A.I. among others. I’ve done R&D for toy companies, acted in commercials and films, and done props and sets for Coca-Cola, Dow Corning, Hershey’s, Lexus, and a host of New York and San Francisco theater companies. I’m also a sculptor, of mixed media assemblage, who’s had my work represented in over forty shows in San Francisco, New York and (of all places) Charleston, West Virginia.”

“If I can get inspired, I can imagine it. If I can imagine it, I can create it.” They key is to believe.*

Imagination is something people believe they lose, or don’t need as they get older. Nothing could be further from the truth. The function of imagination in our lives changes as we transition from childhood to adulthood. Instead of imagining ourselves as firefighters or princesses, we start to visualise how we will handle the events and challenges we face in everyday life. For example, have you every daydreamed about how you’d like to get back at the boss, or about the kind of car or perfect lifestyle you’d like? That is still utilising your imagination.

So, as a responsible adult, whether or not you still want to be a fireman or a princess, how do you make the most of your imagination? The most obvious technique is daydreaming. Sitting or lying in a comfortable place, and lazily turning things over in your mind is a wonderful start. It also is a valuable use of wasted commuter or waiting time. The other technique, and the most abandoned by adults, is play. The role of play doesn’t really change in adulthood. It still prepares us to deal with real life situations; reduces stress; teaches us new skills; and encourages us to put new things together in new ways. What does change as adults, is the type of toys we play with.

As adults we like to build. Home architecture and garden planning software, D.I.Y. projects, landscaping: this can be a form of creative play. We like model trains and planes, spaceships and sailing ships. There are many television shows and magazines promoting our love of crafts, home decorating and cooking. Messing around with a blank page or a blank canvas can be play. Anything you enjoy which you can experiment with can be play. The difference between serious work and play is only your attitude and approach to it.

All images in this post are Copyright Adam Savage and have come from his web site. http://www.adamsavage.com/

This article / blog post is Copyright Cate Russell-Cole 2011. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without Cate’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-using her work if it is for a commercial venture. Link sharing and Pinterest pins are most welcome as long as Cate is the attributed Author.

No images on this blog may be copied, captured, or altered for your own purpose without the consent of the originating owner. Where images are marked as being iStockphoto.com images, they are paid for and licenced to Cate for use on this blog. If you take them, iStockphoto.com has the right to take legal action against you for Copyright Infringement.

Please see the Blog Content and Image Copyright page of this blog for further information in regards to Guest Posts, other images, Cate’s checks on infringements and Liability.

Tired and Out of Time? Balancing the Blogging Load

Perhaps it’s part of being an autobiography writing teacher, but I love reading blogs. I enjoy them as they are real: you can sense it when someone is genuinely sharing with you. The only thing that bothers me is how often I hear how burnt out bloggers feel. It worries me when I keep coming across post after post where bloggers are expressing how wrung dry of inspiration and physically exhausted they are. I read in profiles how bloggers work all day, come home and deal with family needs, then write until insane o’clock, as that is the only writing time they have. From an outsiders point of view, it leaves little mystery as to why writer’s block so often sets in. It’s fuelled by overwhelm and fatigue.

It would be very easy for me to step into strict writing teacher mode and command “blog less often!” The issue is, if you’ve done your homework on how to blog, to satisfy the search engine rankings and build an audience, it is recommended you blog daily. If you don’t, there are dire predictions of failure and doom. It comes down to the settings of the search engine ranking robots: which care as much about the needs of flesh and blood humans beings as say, your toaster does. Recently one blogging Twitter feed, which I normally enjoy, started preaching down this path. Such was their fervour that you had to work yourself into the ground to succeed, I unfollowed them. The last thing anyone needs is the whip being cracked at them in an already ‘too-busy’ society.

So that leaves bloggers with a choice: Buy into “toaster mentality” and let your life be ruled by search engine logic and cyber peer pressure; or take care of yourself by posting less and taking the pressure off. I opt for the latter, but not just for myself, also because as a reader, I know I simply cannot keep up with every post that comes out that I really want to absorb and comment on. We are potentially overwhelming the supporters we want and need. Could that be why so many blogs have such low subscription and comment numbers?

What you do as a blogger is entirely up to you. Just as long as it’s right for you! From everything I have studied about writing, to write daily is a necessity for writers who are truly serious. May I suggest, that perhaps, as an alternative to blogging every day, keep a journal, or use some of your would-be posts as writing practice? There is a great sense of satisfaction to be had from just writing for YOU, experimenting and having fun for your eyes only. It is all about breaking away from the “toaster mentality” and doing what your creative heart is telling you to do.

If you write less often, it also means you are under less pressure to put forward a polished piece of work which ultimately becomes part of your writing portfolio. Write when you have something you really want to say and share. Plus be careful about how personal your posts are… When you are online, it is dangerously easy to forget just how open your most personal information and feelings are to anyone who finds you.

The bottom line is, take good care of yourself. If you look after yourself and allow yourself time and space to be open to new input, ideas will generate much more easily and you can recapture your enthusiasm. There are more ways of becoming a recgonised blogger than merely relying on search engine rankings and appearing in Twitter feeds en masse. If you would like support, use the #mywana tag on Twitter started by @KristenLambTX who supports bloggers. There are also blogging community web sites out there that may be helpful. Just beware of the toasters…

DISCLAIMER: To be true to my geeky heritage, I would like to state that the negative use of the word ‘toaster’ in this blog post in no way includes “After Dark’s” Flying Toasters, who were always the good guys. Particularly the baby ones. “When there’s a job to be done, the flying toasters will be there…” I wish they would bring that screensaver back.


REBLOGS WELCOMED

This article / blog post is Copyright Cate Russell-Cole 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without Cate’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-using her work if it is for a commercial venture. Link sharing and Pinterest pins are most welcome as long as Cate is the attributed Author.

No images on this blog may be copied, captured, or altered for your own purpose without the consent of the originating owner. Where images are marked as being iStockphoto.com images, they are paid for and licenced to Cate for use on this blog. If you take them, iStockphoto.com has the right to take legal action against you for Copyright Infringement.

Please see the Blog Content and Image Copyright page of this blog for further information in regards to Guest Posts, other images, Cate’s checks on infringements and Liability.

The Best Kept Editing Secret

BUSIN031In 2000 I published a memoir writing course. It has been revised four times and edited by three trained editors: two at University level. I have put countless hours of work into perfecting it, but guess what? If you read through, you will still find very small typos hidden in it like Easter Eggs. That drives me to screaming point!

It’s not just me. Since I’ve switched to e-books, I am finding frequent mistakes in books from best selling authors, distributed through traditional publishing houses. One mistake was of an unrelated sexual nature and the spell checker, or editor, should have easily picked it up. It looks like the editing monsters are tormenting more souls than mine!

So why does this happen? Let me tell you the secret. When I researched “Unleashing Your Creative Spirit,” I delved into theories on memory and how it functions. Your brain is the busiest organ in your body. It runs your internal organs, all your movements, your memory, computes stimuli from your five senses, logs time, drives your subconscious thinking processes and deals with what you are doing now: reading. At the same time, it makes sure you aren’t hot / cold / hungry / thirsty / tired / in pain, or about to be run over by a bus! It has to compute what is around you, plus predict what to expect next.

That is a massive workload to achieve all at once! So the brain, being smart, has brilliant means of conserving energy. It’s actually very eco-friendly, but that’s sometimes to a writer’s detriment.

Have you ever been to a friend’s place and said, “You’ve repainted,” just to have them look at you strangely and tell you they did if five years ago? Of course, it will be the home of that friend you visit fairly frequently. It’s a common faux pas. We all go to familiar places and say, “I never noticed that before.” It happens because in order to save the energy it takes to log all the details, your brain does a quick scan and just takes in what is the most important. For what it considers to be familiar or non-essential details, it relies on memory, or blocks stimuli out.

How does this work with editing? When you have read the same paragraph ten times, it becomes too familiar. The brain automatically decides that you don’t need to re-log all that, so mistakes go unnoticed. You’ve seen those emails where you can still read sentences, even though the letters in the middle of the words are mixed up? They work because a familiar pattern is identified and you auto-fill the rest.

BUS2So, how do we overcome this? Make your work look new! When I started blogging, I discovered that I would pick up mistakes in WordPress’ preview mode that I couldn’t see in the writing window. In preview, the font size differed and words were in different spots on the page. If you’re working in a word processor, you can try for the same effect by changing fonts, changing margin widths, altering text color, or opening the document in a totally different word processor.

The other lifesaver I use is to put my work aside, wait 48 hours then edit again. That gives my brain a chance to re-set.

So don’t beat yourself up over the occasional small typo. We all make them. Do everything you can to prevent the slip-ups from happening and remember: it’s all because you’re just too efficient!

News just to hand: starting March 1st there is a free initiative running named “National Novel Editing Month.” Your goal is 50 hours in March. Join here: http://www.test.nanoedmo.net/


http://www.amazon.com/Unleashing-Your-Creative-Spirit-ebook/dp/B0083H7MZ8/ref=la_B0083MVRJK_1_1?ie=UTF8&qid=1337129988&sr=1-1   http://www.amazon.com/dp/B00A9NJ9FA   http://www.amazon.com/dp/B00856U6IC   Building Emotionally Realistic Characters Cover   http://www.amazon.com/dp/B00855L9SY    http://www.virtual-desk.com.au/avoidbackpain.html

Please click on the book cover to order. You’re also welcome visit Cate’s website for full book details and to read sample pages.

This article / blog post is Copyright Cate Russell-Cole 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without Cate’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-using her work if it is for a commercial venture. Link sharing and Pinterest pins are most welcome as long as Cate is the attributed Author.

No images on this blog may be copied, captured, or altered for your own purpose without the consent of the originating owner.

 

Spiritual Gains Through Journalling

Photo Copyright Sam Mugraby, http://www.photos8.com

I have always had a very strong spiritual side to my life. After I wrote the “Write Your Life Story” memoir and journal writing course, I took that material, adapted it, and placed it in a practical, Christian workshop on prayer. It has now been released as an e-book on Amazon.com. Prayer Journal Workshop has been designed to encourage you to start and maintain your own prayer journal: a way of praying on paper.

Prayer is one of the aspects of the Christian life that everyone struggles with! We know we should… we try and make time and often we fail to live up to the goals we have set ourselves. Trying to get into the swing of praying, can feel as elusive as trying to capture a rainbow in a bottle. I have been through many battles with prayer. I am not a formal person, and a formal prayer time just doesn’t work with, or appeal to me at all. No matter what I did, I couldn’t get motivated to pray properly. One day, the guilt drove me to ask God for help. God placed a passion on my heart for prayer that has been a and companion ever since. Once I realized that I could just be myself, I enjoyed talking to God. I was able to develop an enthusiasm for prayer. Being a journal keeper from way back, I sometimes find I prefer talk to God on paper. I can express what I am feeling better; it helps me work through the fuzziness in my head; and the act of writing helps me concentrate.

A prayer journal is just like any other kind of journal. You set aside some time every day to write about what is happening in your life. What makes your prayer journal more special than any other kind of diary or journal, is it is written to the Lord: one long prayer. If you have trouble getting up early to pray, or find it hard to close your eyes and try to stay in focus, maybe a prayer journal will help you. The act of writing will keep you centred on what you are doing. It isn’t formal, but it can be if you want it to. It can also contain your deepest thoughts, feelings, hopes and dreams. You can write it in the same way you would write a letter to a friend; or along the same lines as a conversation you would have with someone you can trust and confide in. God is interested in every aspect of our life, big and small, silly or solemn. A prayer journal is a way to track where you have grown and been blessed, as you read back through the pages.

If everyone was to write a prayer journal, you would never find two the same. We all relate to God in different ways. Some people call Him “Master“, some “Dad,” some have pet names. Some will tell God about their day: what worries them, they may write poems of praise, or copy down Scriptures that reflect how they feel. In a prayer journal you are free to relate with God however you do best. You can praise Him, ask Him questions about what to do, or things you don’t understand. You can place your prayer requests down in writing for people you know in need, which can also help you to remember to pray for them again in coming days.

Some people like to read devotions every day and write down what they learnt, or how it affected them. A prayer journal is also a great place for this. Others like to take their prayer journal to church or Bible Study, and jot down the points they want to remember. What you do and don’t want to include, is up to you and the Lord to decide together. The main idea is to be open, honest, and to set aside that time as a part of your time with God.

If you are struggling with prayer, consider getting yourself a prayer journal and see if it will make a difference in the way you relate to God. You may find it’s easier to spend time praying on paper than you could praying before. Whatever your experience, my prayer is that you will be blessed, and that it will be a tool to draw you nearer to the Lord.

If you would like to work through a structured and more comprehensive guide to prayer journalling, please buy the e-book from Amazon.com. It includes prompts and other additional helpful resources. The book is $2.99 and available worldwide.

This article / blog post is Copyright Cate Russell-Cole 2012. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without Cate’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-using her work if it is for a commercial venture. Link sharing and Pinterest pins are most welcome as long as Cate is the attributed Author.

No images on this blog may be copied, captured, or altered for your own purpose without the consent of the originating owner. Where images are marked as being iStockphoto.com images, they are paid for and licenced to Cate for use on this blog. If you take them, iStockphoto.com has the right to take legal action against you for Copyright Infringement.

Please see the Blog Content and Image Copyright page of this blog for further information in regards to Guest Posts, other images, Cate’s checks on infringements and Liability.

 

Learning Curve: Editing and Publishing

The Writer’s Coffee Shop contacted me early last year and asked if I would be interested in writing a novel. They had seen some of my online stories, one of which had become surprisingly popular. Those online stories were the only writing I have ever done. I have no formal training, not even an online course, and so it was a matter of learning to be a writer as I went, making mistakes and trying to learn from them.

The editing process taught me the most. I had two different editors, and both of them had something different to teach me. Most of the time, authors are assigned one editor who continues working with them in their next books, but scheduling issues prevented me from having the same team on the second book.  It was such a great learning opportunity I told them I would be okay with it if they wanted to assign a new editor to me for the third.

Lissa-Bryan-Ghostwriter-Front-Cover-WebresI used to correspond with a published author. Her writing advice was the best I have ever been given: “Every scene, every sentence, every word, must drive the plot forward. If it doesn’t move the plot or reveal something important about the characters, cut it. If you can cut it without impacting your novel, it’s just dead weight, dragging your story down.” It is not easy to do. Even with that advice in mind, there were “dead weight” scenes in my manuscript I didn’t want to cut. I tried to make excuses for them, but in the end, I had to admit they served no real purpose, no matter how much I liked them. This one of the things a good editor does for you: gently, but firmly forces you to see where you’ve gone off-track.

One of the first things my editor did was send the manuscript back to me with all of the uses of the word “that” highlighted. “That” is one of the most over-used words in the English language. If the sentence makes sense without it, cut it. I was able to trim out an embarrassingly large number of them.

My second crime against literature was my passionate love for adverbs. Stephen King says the road to hell is paved with them, and he is right. They often tie into that old saying, Show, don’t tell, which was another struggle of mine. It is the difference between writing, “He paced angrily,” and “He paced with his hands clenched, his eyes narrowed and glittering.” The first tells us what he is feeling, the second shows us his emotional state through his body language.

It is part of learning to trust your reader. There’s an old story, likely apocryphal, Hemmingway bet a friend that he could write an entire story in just six words. He won the bet with this: “For sale: baby shoes, never worn.” With those six words, he gives the reader a full picture, because your mind supplies the necessary details: the crushed hopes of a bereaved family in a dire financial state. Sometimes, the most powerful words are those left unwritten.

theendofallthingsSome of these lessons I learned only in retrospect, but writing is a lifelong journey.  I can’t regret my mistakes, because they were valuable lessons. “We’re all apprentices in a craft where none is truly a master,” as the saying goes. I cannot wait to see what I will learn next.

Contact and Follow Lissa:
Blog: http://lissabryan.blogspot.com
Twitter: https://twitter.com/LissaBryan
Facebook: http://www.facebook.com/lissa.bryan
GoodReads: http://www.goodreads.com/author/show/5442345.Lissa_Bryan
Buy: http://ph.thewriterscoffeeshop.com/authors/detail/42

http://www.amazon.com/Lissa-Bryan/e/B009N6CFTQ

https://itunes.apple.com/us/book/ghostwriter/id560564245


This blog post is Copyright Lissa Bryan 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without the author’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-use if it is for a commercial venture.

Three Warning Signs When Bringing Your Own Emotions into Fiction Writing

Have you ever been working on a first draft and written down something where you had to stop and say, “Whoa! Where did that come from?”

I’m not talking about being so overly impressed with your own ability to write prose, I’m talking about moments where characters give voice to an emotion you didn’t realize you had. You’re going through a tough time financially or emotionally (or finacially AND emotionally), and out of nowhere you’re confronted with a scene where a character screams out, “I just want to be able to stop worrying about how I’m going to pay for the kids’ lunches next week!”

Suddenly, you’re staring your beleaguered emotional self in the eyes when you thought you were just taking a little time to escape into your story. How did that happen?!

Of course, we know that our emotions don’t just disappear when we turn to writing, even if we wish they would. In fact, it’s our own emotions that make our writing more powerful. Art is a living, moving thing. Without emotion, you’re just writing instruction manuals. They may serve a purpose, but they sure ain’t fun to read.

Beta-Testing Real Life

pj_in_oz from flickr I’ve recently become enamored with the works of Cory Doctorow. Mr. Doctorow is a big sci-fi fan and a techie at heart, so his sensibilities especially appeal to me. In a recent interview with Wired, Doctorow stated that he used his characters to sometimes “beta-test” ideas that he had for handling problems. If the solution seemed feasible in his fictional universe, then perhaps the idea could work in real life.

We face emotion in our writing every time we sit down at the computer, but we actually have the power to do something about the problems facing our characters. If we’re true to our stories and we take the process seriously, then we’ll have to come up with credible solutions.

I like to write big sci-fi adventures, but it would seem as if there isn’t much room to apply solutions to real life problems.

The same may be true for your writing. You may not be an Indiana Jones or a Lara Croft in your day-to-day living. You don’t live in Victorian England or the 24th century, so not all your proposed problems in your story will be relevant to your life.

But the emotions… Ah, yes, the emotions can apply. You can express your frustration, your sorrow, your joy, your child-like sense of enthusiasm. You can let those emotions flow on the page, and you can watch as they crash into the rocks of resistance. And then, you have to decide how to overcome that resistance. You can finally write the conversation you’ll have with the bully at your work or at your parent-teacher organization. You can write out honest responses to those who would doubt your dreams. You can share the depth of your sorrow with those who would just tell you to get over your hurts and ignore your past.

You can express yourself.

The Warning Signs

80415260_fba14a5e6cBefore baring your emotions to the world, you’ll want to keep in mind a few words of caution. Emotions can either derail or enrich your story, so make sure you’re getting the most out of them.

1. Keep your character’s motivation in mind when expressing emotion in your story. — Do your character’s emotions make sense, or are they just a reflection of what you’re feeling at the moment?

The problem with including personal emotion in story is that we can become too attached. We argue the emotions are “true,” so they have to stay there. Just remember, you’re writing a character. Your struggles still aren’t exactly the same, no matter how similar you are to your character.

Remember, the reader only knows about the world you present in your story. If you pull too much from your life, then you run the risk of leaving the reader without any sense of context in the life and world of the character.

2. Your emotional struggles may not be very entertaining. — Sure, your emotions are real, and you need to find a way to deal with them. Your readers may not be able to relate, or they might find the issue boring. I might struggle with coding a website for the day. I can try to convey that to my wife, but she just isn’t deeply interested. She cares about me, but the problems and, to some extent, the emotions connected don’t resonate.

Get an editor or proofreaders to help you figure out which emotions are the most important and the most resonant for your audience.

3. Watch out for the “everyone lives happily ever after.” — When we put our characters through a rigorous ordeal, rich with emotion and strife, we have to make sure that our characters earn the solution they find. As much as it would help in the storytelling process at times, tough problems rarely just “get better” all on their own. (That would make for some pretty boring stories. Right?)

We can’t make the solutions too simple for our characters after they’ve been pouring their hearts out through the course of the entire story. This may mean that your character gradually solves a problem. He or she may have to leave a situation or have a showdown with someone. Emotion means that things are building up, and there has to be some sort of release to allow emotions like peace and happiness to enter the picture.

Your Emotional Journey

Keep these warnings in mind, and your emotions can serve you in telling richer stories.
How has your experience been with tying in strong emotions to your writing? Do you feel like it got you off track? Have you ever been surprised by your emotions while writing? We’d love to hear from you in the comments below.


profile-michael-204x300Michael W. Roberts just finished the rough draft of his first novel and was surprised by how emotional he got over it. He works extensively in web media, and he blogs about writing, creativity, and communication on his site http://MichaelWRoberts.com

This blog post is Copyright Michael W Roberts 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without the author’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-use if it is for a commercial venture. The train sign photo is owned by pj_in_oz on Flickr and the electrocution sign by r000pert. Used under a Creative Commons Licence.

Get Yourself A Second Brain

Kikki-K

I know a lot of writers who are stationary buffs, so you’ll understand what I’m talking about. Half way through last year, I got frustrated and threw my diary out. I wasn’t pitching a fit over a trivial incident, I just ran out of room. Even worse, I am a diary fanatic. That book is my second brain and I am totally dependent on it!

All my diaries are lovingly and carefully chosen for size and features: and this was one of the best I have ever had. It had the month to a page at the beginning of each month, week to a page view, business card section and every month had a neat divider, so I could flick around and schedule. It hadn’t been a cheapie either! For a diary of that calibre to bite the dust, something had dramatically changed.

The good news is, that change was success at what I was doing! I was writing more and I needed planning space. I don’t have many appointments, so my diary pages are devoted to work to-do’s, time tallies and reminders of event preparation. It never leaves my desk, as I must look at it every day, or I have no idea where I am up to. My head is too full to fly by the seat of my pants.

I have converted to digital as much as I can, but there’s a catch. I always need information fast when my computer is off, there is a thunderstorm or my iPad has run out of battery life! I use my iPod touch when I go out, but I still need the ease of paper. Some days you want to jot down an idea before it’s lost; plus I was totally sick of rummaging around my desk trying to find the separate blog post idea folder, the phone bill, my shopping list for the business, the guest post schedule, my e-book outlines! I just wanted one space which had everything. It was a way to save time and sanity.

So I did it the easy way. I grabbed a lever arch file out of my cupboard, printed off my iCal calendar for 15 months in both month to a view and week to a view, then put in month and subject dividers. It’s been the most useful tool I’ve ever devised! My iCal files have all our financial reminders, birthdays and public holidays logged in. So they immediately appear on the pages, coded in colour. I have separated my blog posts, time sheets and other essentials with dividers and all I do now is flick it open. The best thing is, if I totally mess up a page as schedules and plans have changed: it easily gets reprinted. No more using correction fluid that never works properly, or building up layers upon layers of white stickers I can write over the top of. My diaries never used to shut properly anyway!

Dividers come in numbers, months, blank tabs or A-Z and are dirt cheap.

In the past I have had swish Debden diaries with the gorgeous leather cover, many customisation options and that wonderful ruler which marks where you are. That hobby was expensive, plus I loathe working in black and white! By printing an A4 diary, for each week I also have an adjoining blank page I can use as a scrapbook, or extra note space. I invested in quotation stickers from Kikki-K to brighten it up and it’s a pleasant space to work. Plus it does fit in my brief case; though I take the option of removing the small part of the diary I need and taking it in a flat file. Less weight is always welcome.

So if you too are having space and memory issues: plug your regular items into your computer, print it, throw it in a folder and enjoy the outcome. Sometimes the simple solutions just work better.


This blog post by Cate Russell-Cole is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. You are free to share and adapt it.

No images on this blog may be copied, captured, or altered for your own purpose without the consent of the originating owner. Please see the Blog Content and Image Copyright page of this blog for further information in regards to Guest Posts, other images, Cate’s checks on infringements and Liability.

Getting to the Heart of Your Story: A Guest Post by Rossandra White

Jans-house-9-20-121At 49 I felt compelled to write a book. Not something I’d always wanted to do. I figured maybe it was just time to finally record all those stories about my ancestors who had been in South Africa since the 1800s, as well as my own stories about growing up in a small Zambian copper mining town; plus a two-year stint on a sisal plantation in Zimbabwe. This was before the two countries were independent, when colonial power held sway, when the bush was full of animals. And then there were all those road trips my family took to the Congo, Malawi, Kenya and Tanzania. The time an elephant chased our car for over five miles, forcing my dad to reverse down an excuse for a dirt road before the elephant gave up. The time we spent in the shadow of Mount Kilimanjaro with a crazy Belgian who kept wild animals for film-makers’ use; as well as that episode in Kenya when the Mau Maus attacked the cattle ranch where we were staying with a family my dad had befriended along the way. I had a lot to write about. What I didn’t know was that I intuitively chose writing “to take fuller possession of the reality of my life,” to paraphrase Ted Hughes.

maumaugang

Mau Mau

So I started writing, most days after work and on weekends. I agree with Kurt Vonnegut who said writing made him “feel like an armless and legless man with a crayon in his mouth.” Three years later I ended up with a 500 page memoir of flashbacks. The poor volunteer reviewer from the National Writer’s Association I joined penciled these little round faces with downturned mouths in the margins, complete with dialogue: “Oh nooo, not another flashback.” The other reviews I received convinced me just how much I had to learn about writing. Starting over, I bought and read a library of how-to books and took classes; I learnt about structure, plot, conflict, pacing, and theme. I joined critique groups and re-wrote.

This time I started with an incident when I was poisoned by rebels as a six-year old in Zimbabwe and turned my messy tome into a young adult novel and sequel, with two teenage protagonists, a black boy and a white girl. The story had political and spiritual overtones, lots of action, but the white girl and her family were essentially me and my family. The black protagonist represented Africa and her people.

An interested agent told me that the story was a good one, except that it lacked a unifying purpose; I hadn’t found the heart of the story. I didn’t know what that meant. I didn’t know how to pull it all together, how to find that elusive heart. I kept writing. Only now I began to realize that I hadn’t connected in any meaningful way to my characters. I had plumbed the depths of the story’s message and meaning, I had plot points and a climax; I had my people say words that revealed character and furthered the plot, but I didn’t know how they felt about all the conflicts they were going through, how they felt about each other – not in any meaningful way. That was because I had avoided my own feelings from the past. It was too painful. But in order to find the heart of my story I had to do so.

africaI immersed myself in the past and all those feelings I had suppressed. The white girl became more vulnerable, a little less reactive and rebellious; her mother more loving and sympathetic than my own distant mother had ever been; the father more fallible than I’d always believed my own father to be. Overall every character grew, including Africa, a country with which I’ve always had a love-hate relationship. In the end, what I managed to produce was a fully realized coming-of-age story. Both for the protagonists, but especially for me. Through the power of words, I had set down roots in time and explored my own personal myths, uncovered their purpose and grounded myself in a way I might not have been able to do otherwise.

You can follow Rossandra’s blog: “A former bushbaby’s take on writing, appreciating life and everything in between” at http://rossandrawhite.com

Rossandra lives in a Hobbit house, along with her two Staffordshire bull terriers, Fergie and Jake, where she writes about them, her life in Laguna Beach and her African past.


This blog post is Copyright Rossandra White 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without the author’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-use if it is for a commercial venture.

Pinning Down Success

In 2012, I wrote a blog post declaring: “this year, I have taken a new approach to new year’s resolutions. Instead of writing a list of goals, which I ultimately never get to fully achieve, I wrote a list of words which represented what I wanted out of my life. Life has a habit of taking us places we never thought we’d be and I would like to be more consciously open to that. Plus I will try not to fret if it goes pear shaped in places!”

A month or two later, I found out I couldn’t function without a list of goals! I needed something in writing, which was a marker of where I wanted to be by the end of the year. In hindsight, I did capture the spirit of the words, but by October, I was fretting as my goals had gone pear shaped! Yet again, I made that classic mistake: I set too many goals and I fell short with three projects. Pacing myself was one of the great lessons of 2012!

This year I am going to set a limit to the number of my writing goals. One visually creative project, one book to be written, plus two essential business maintenance goals. That’s it. Anything else I find time for is a bonus!

The experts say to keep your goals prioritised, simple and small in number. We are encouraged to reach our goals and dreams by making small changes, or taking small progressive steps… not by embarking upon an exhausting revolution! Small changes are the ones that stick, avoiding failures and regrets.

We all tend to overload ourselves with activity and then fall down in an exhausted, disgruntled heap. Instead, slow down and build your confidence one area at a time. To maintain a healthy work – life balance and allow yourself days off. If you can’t afford that time, at least take a thirty minute break for yourself once or twice a week. Use that time how you like and don’t feel like you’re being selfish or cheating! You’re not.

http://www.facebook.com/WellnessWriting

Logo and excerpt Copyright Wellness and Writing Connections

Trying to do everything will quite often trip you. Our society needs to learn to slow down as a whole. Achievement takes time as it involves learning and we all absorb new information at our own pace. Getting there is meant to be a journey, not rush hour! As writers, we will thrive if we learn to wait and strategically move forward when we know we have the energy, confidence and resources.

Pick a small handful of great goals; work on them, then add another if you can. Be kind and gentle on yourself.

“Wellness and Writing Connections” on Facebook makes a great point about goals. (http://www.facebook.com/WellnessWriting) To quote the page author, “Writing a list of the things we would like to see more of in our life is a common theme in resolutions. What if we also make a list of things we want to leave out?” What if your major goal was to resist things that pull you down emotionally? That can make a massive change to your quality of life. What if it is to gently pull back from a bad friendship and set yourself free from it’s poor influences? Sometimes knowing what you don’t want is as important as knowing what you want.

This article / blog post is Copyright Cate Russell-Cole 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without Cate’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-using her work if it is for a commercial venture. Link sharing and Pinterest pins are most welcome as long as Cate is the attributed Author.

No images on this blog may be copied, captured, or altered for your own purpose without the consent of the originating owner. Where images are marked as being iStockphoto.com images, they are paid for and licenced to Cate for use on this blog. If you take them, iStockphoto.com has the right to take legal action against you for Copyright Infringement.

Please see the Blog Content and Image Copyright page of this blog for further information in regards to Guest Posts, other images, Cate’s checks on infringements and Liability.


Where to Promote Your Blog

Bestofblog

As we count down to 2013, the next few days will feature the most popular posts of this year. Enjoy!

This post is an ongoing directory of promotional communities and directories for bloggers.

I have been slowly bookmarking various communities and directories for bloggers as I have been reading through other people’s blogs. It’s a frustrating process, particularly when you dimly remember there was a badge you wanted to check out and you can’t remember where it is, or the source code behind the badge doesn’t work! So I wanted to put everything I have found together in one spot so everyone interested can benefit.

All the links below will open in a new window to take you to the page, plus I have left them in text form so you can print this post off or save it as a .pdf  Please note: I don’t use all these services, so I don’t know if they are good or bad. Use is solely at your own risk.

A word of wisdom, many of these directories want to know what your RSS feed is for your site. If you don’t know, try RSS include. https://www.rssinclude.com/

If you want to promote your site, you need as many options as possible: join by email, allow WordPress and Blogger Follow buttons, RSS feed, Networked Blogs, Google Friend Connect. Everything you can get your hands on. The more ways you have to connect, the more followers you will get. I get so frustrated when I see email sign up only on blogs. I need more options! My email is too cluttered for posts to be noticed.

Don’t forget to add your Facebook, Twitter, Linkedin, Google + and other social networking details so people can find you. It all helps. I know it looks scary, but many of these options are just copy and paste their code. You don’t have to be a web developer.


Blogging Communities


Blog Directories


Other Interesting Publishing and Promotion Ideas

  • Scoop It allows you to publish web magazines which you can use for promoting your work in an attractive manner. This is a cost for use service. http://www.scoop.it/
  • Paperli offers a similar service where you can promote your work or web pages you wish to pass on, in the form of a newspaper. http://paper.li/ I have had my tweets published in other people’s papers, which has given me promotion. I am unsure if there is a cost. The site was down for maintenance when I checked it.

Responsible Web Users

Take the pledge and add a Blog With Integrity badge to your site. http://www.blogwithintegrity.com/

If you are sick of spammers, hackers and weirdos on the web, you may also like to join the Pledge Of Responsible Social Media Users on Causes. http://www.causes.com/causes/570107-pledge-of-responsible-social-media-users They have a badge, which again isn’t WordPress friendly. It will be fine on Blogger.

Follow my blog with Bloglovin


This blog post by Cate Russell-Cole is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. You are free to share and adapt it.