Support An Author Month Task: Give Kindness

support an author monthIf you have never gotten around to it, please give one!

When someone inspires you, or if you see someone who is using their writing gift to help others, please take the time to thank them publicly by giving them this award (and the rules for passing it on.)

This award is open to anyone to use. You don’t have to receive it, in order to be able to give it. Please take the details and images off this page and use it to encourage another writer. The rules for passing it on are very simple:

  1. You are welcome to give it out as many times as you like, but it is only to be given to a maximum of one person per blog post. If you wish to give multiple rewards, please space the blog posts by at least a week, so the sincerity is maintained.
  2. Introduce the person; say how they encourage, help or inspire you; then link to their work and/or social media profiles. There may be a specific post you wish to link to which helped you. It’s up to you.
  3. Please publicise your award post to Twitter or Google Plus using the hashtag #writtenkindness so that others can find and follow the award winners.

Get the Award Badge and Code

Written Acts of Kindness Badge
<div align="center"><a href="http://cateartios.wordpress.com/" title="Written Acts of Kindness Badge" target="_blank"><img src="http://virtual-desk.com.au/SmallBadgeWrittenActsofKindnessAwardby%20cateartios.jpg" alt="Written Acts of Kindness Badge" style="border:none;" /></a></div>

Boxed code from “Grab My Button” Code Generator: http://www.mycoolrealm.com/sandbox/gbgen/


This blog post by Cate Russell-Cole is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. You are free to share and adapt it.

Support An Author Month Task: Buy That Book!

support an author monthYou know you’ve been meaning to… this week, your love task is to go buy that writing friends book you’ve planned to, but didn’t get around to.

Last week, to put action behind my preaching, I got onto Amazon and bought several tantalising ebooks which are below. Click on the cover to buy the book.

Please, take the time to do the same.


41-8deWiDVL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-64,22_AA300_SH20_OU01_Leaving the Hall Light On: by Madeline Sharples

A Mother’s Memoir of Living with Her Son’s Bipolar Disorder and Surviving His Suicide charts the near-destruction of one middle-class family whose son committed suicide after a seven-year struggle with bipolar disorder. Madeline Sharples, author, poet and web journalist, goes deep into her own well of grief to describe her anger, frustration and guilt. She describes many attempts — some successful, some not — to have her son committed to hospital and to keep him on his medication. The book also charts her and her family’s redemption, how she considered suicide herself, and ultimately, her decision live and take care of herself as a woman, wife, mother and writer.

A note from the author: I encourage you to read my book if you have been touched by bipolar disorder or suicide. And even if you have not, my book will inspire you to survive your own tragedies. As author Jessica Bell says: Leaving the Hall Light On is “a remarkable book and it SHOULD be read.”


41T4MfsRa0L._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-64,22_AA300_SH20_OU01_Sailing Down the Moonbeam by Mary Gottschalk

With a destination loosely defined as the rest of the world, Mary and her husband Tom leave family, friends and successful careers for a multi-year sailing voyage. As the voyage takes her farther and farther from her traditional support systems, her world becomes more and more defined by forces outside her control. Mary’s travels through often uncharted island communities, provides a compelling metaphor for a journey of self-discovery.


51LqAyxhFBL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-64,22_AA300_SH20_OU01_Freeways to Flip-Flops: A Family’s Year of Gutsy Living on a Tropical Island by Sonia Marsh

What do you do when life in sunny Southern California starts to seem plastic, materialistic and just plain hellish? For Sonia and Duke Marsh, the answer was to sell their worldly goods and move to an unspoiled, simpler life with their three sons in Belize, Central America, a third-world country without all the comforts and distractions of life in the developed world. Sonia hopes the move will bring her shattered family back together. She feels her sons slipping away from her, and her overworked husband never has time for her or the boys. Instead, things begin to go wrong immediately. The home they initially rented isn’t available, so the family is forced to take up residence in a primitive, bug-infested shack. Duke’s telecommuting plans prove impractical because of unreliable Internet access, and he loses his job. Middle son Alec – always a conscientious, polite, tractable child – misses his friends and has trouble adjusting. As the days turn into months, Sonia finds herself questioning the family’s decision to move on a nearly daily basis. This is the story of one family’s search for paradise. In this memoir, Sonia chronicles a year of defeats, fears and setbacks – and also the ultimate triumph of seeing once-frayed family ties grow back stronger from shared challenges and misfortunes. For Sonia, paradise turned out not to be a place, but an appreciation of life’s simple pleasures – a close-knit family and three well-adjusted sons with a global outlook on life.


61OQnfen+hL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-56,22_AA300_SH20_OU01_

Out of Sync by Belinda Nicoll

In 2001, when a couple leaves South Africa for a stay abroad, they land at JFK International Airport on September 11th, unprepared for the sight of smoke billowing from the Manhattan skyline or the horror of a second plane exploding into the North Tower. Over the next ten years, as their host country confronts fundamental change of its own, their marriage buckles under the strain of their disparate experiences. With the international economic crisis making it all but impossible for them to return to their country, they relocate from California to the North, the South, and the Midwest searching for a place they can call home. Against the backdrop of uncertainties in post-apartheid South Africa, Belinda Nicoll unfolds a contemporary and thought-provoking account of post-9/11 America’s tantalizing hopes and unexpected disappointments. Out of Sync is an insightful tale about marital endurance that promises to enthrall anyone, expatriate or not, who has ever felt at odds with themselves or the world.


This blog post by Cate Russell-Cole is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. You are free to share and adapt it.

#atozchallenge Y is for 2Years2aBook [Infographic]

Reblogged from Hunter's Writing:

Click to visit the original post
  • Click to visit the original post
  • Click to visit the original post

2 Years to a Book. That’s what I realised I could accomplish – on top of my normal writing projects and goals during the year. For others who don’t have the luxury of so many free hours to write, as I do, the program also allows for a book draft completed during that first year.

Read more… 818 more words

When Hunter first put this post out, I shared this infographic on Twitter etc showing how to write a book in two years. The whole post is worth a proper reblog as there is so much gold in here! Thank you Hunter: particularly from someone who hates long term projects and likes things done and dusted. This is a good reminder to pace myself.

Creative Gestation: The Benefits of Giving Work “Off Time”

Any writer knows how it feels to finish a brand new piece: The excitement is intense. This one, we tell ourselves, is the best we’ve ever written. Quick! Let’s submit it! Hold it right there, Shakespeare. Not so fast.

One of the biggest favors you can do for your work is allow it to rest. Put it out of sight and out of mind for a while, and then come back to it with fresh sight and a sense of objectivity. Let the bright gleam of novelty age into the patina of reason, and then assess this “masterpiece” you’ve created.

johnspenimageoriginunknownExperts have termed this practice of waiting “creative gestation,” and much like the shaping of a child in the womb, producing quality work requires a degree of time, no matter what genre. By coming back to your writing later on, you’ll find that certain word choices can be improved, images can be sharpened, and other enhancements can refine your work even further. Rather than sending an immature, embryotic creation to editors, you’re handing over “your baby,” fully developed, delivered, and ready.

Some poets like Philip Levine and Billy Collins have advocated putting a piece away for a year or more, while other artists and writers say a week or so is better than adequate. My own writing, I’ve found, undergoes a “gestation” of about two to three months – this allows many eyes to see it, and plenty of time to elapse between re-readings and revisions before I’m ready to submit. And of course, like that of all artists, my work is constantly in flux, even after acceptance and publication.

Even short breaks from the screen, page, or canvas can help, however. Getting up, stretching, walking short distances at a brisk pace, or grabbing a light snack and beverage can create cognitive distance from your work, allowing for new perspectives upon returning to it. Also, by allowing oxygen to circulate to the brain via the bloodstream, creators can ensure that their grey matter is functioning at optimum levels consistently, research indicates. Classroom educators have known this trick for a while, incorporating “brain breaks” into everyday cooperative learning structures so that students stay focused and alert. The same research applies to adults and artists: get off your backside and your brain won’t backslide.

Every writer has different practices and habits, and for some, creative gestation may take more or less time to be truly effective. No matter how many days or weeks it takes, however, one thing is for certain: Creative gestation allows for better decisions, improved insights, and real maturity of one’s work.

john03bJohn Davis Jr. is a Florida poet whose work has been published in literary venues internationally. His poems have recently appeared in Deep South magazineSaw Palm magazine, and Touch: The Journal of Healing, and he has forthcoming poetry in The Wayfarer. His book, Growing Moon, Growing Soil: Poems of my Native Land, is available through Amazon and other fine retailers. His website is: http://www.poetjohndavisjr.com/


This blog post is Copyright John Davis Jnr 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without the author’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-use.

Support an Author Month Task: Best Post Ever!

support an author monthAs part of Support an Author month, please visit a favourite blog; locate a post that inspired you and leave a comment saying, “This is my favourite post. Thank you!” Be sure to Tweet, Facebook or share it on G+ so the author knows you’ve spread the word. #bestpostever

You are also welcome to leave a link in the comments here and recommend a blog, if not a specific post.

Cheers everyone! Thanks for the positive response to this initiative. My favourites are all on my twitter feed if you want to check them out. There are awesome posts there for writers. I’ll keep adding through this week. https://twitter.com/cateartios


This blog post by Cate Russell-Cole is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. You are free to share and adapt it.

Pay Yourself First

crazy day“Pay yourself first,” was the solid advice I was given with business book keeping: and face it, writing is a business, even if you work at it recreationally. If the IRS wants a share, it’s not necessarily a carefree hobby any longer…

It is not the size of my royalty cheques that keep me writing. Please, hold my hand while I tell you the story of banking my very first ever royalty cheque from the almighty Amazon. A Hallmark, Kodak, landmark moment! (Not quite…)

I was tired. I had another headache. I had my husband double-check the numbers on the stub to ensure Amazon got it right before I banked it. Then I had a frustrating twenty minute wait while a very young customer service representative with chipped nail polish, unkept hair and no sense of organisation, danced around to the tune on the piped music and ran from desk to desk, attempting to work out what to do with an international cheque. (Yes, professionalism is dead.)

The grand prize for this? 70% culled off my takings as I am in Australia, not the States; plus another 5% taken off by the United States Internal Revenue Service (though it was worth the four month fight with Amazon, or that would have been 30%); $7 lost in the exchange rate and the standard $15 international cheque lodgement fee. (I just checked my account and the National Australia Bank just slapped me with an additional fee for spending that time on their “very fine” premises rather than netbanking a physical cheque!) I looked at the receipt and saw how little of the amount I got to keep and wanted to cry. I make more money selling a handful of writing course CD-Roms, than I did from pushing 1500 books. I went to text my long-suffering husband for comfort… to find my phone battery had run out!

Made by Madame Purl, a great blog for craft lovers! http://madamepurl.com/2008/01/20/bunny-slippers/

Made by Madame Purl, a great blog for craft lovers! http://madamepurl.com/2008/01/20/bunny-slippers/

Pay yourself first. Pay myself with what? If I made 5c an hour for all the work I had put into writing, editing, formatting and promoting those books, I’d still be solidly in the red. I know that the amount adds up over time and makes it worthwhile… but on a first cheque, which I should have been exited about, it stunk!

So how do you pay yourself first when the money isn’t there? You do it by placing value on what you do and how it makes you feel about yourself. This is one instance when looking for outside approval is not going to do anything to encourage you. You pay yourself in personal satisfaction. I wrote those books, which I thought I’d never have the time to do. Other work and lack of courage had always gotten in the way of becoming a published author. In overcoming those hurdles, I have achieved a dream.

When I look back, it has never been money or recognition that has motivated me to write. I started writing when I was all of nine and my sister bought me a diary. I have been hooked on getting my thoughts down ever since. These days, I just share it with other people. One day I will probably say “enough” to business and will exchange my keyboard for my bunny slippers and Star Trek re-runs. Even then, I will always find the time to write.

Writing has to be for me first. It has to be what I want to do. It has to be its own reward. Chasing financial success works for a very few, but being true to yourself works for all.


REBLOGS WELCOMED

This article / blog post is Copyright Cate Russell-Cole 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without Cate’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-using her work if it is for a commercial venture. Link sharing and Pinterest pins are most welcome as long as Cate is the attributed Author.

The Oy Vey keyboard image is Copyright Cate Russell-Cole 2013. The bunny slippers come from the stated blog owner. No images on this blog may be copied, captured, or altered for your own purpose without the consent of the originating owner.

We’re All in this Together: How to Support Other Writers

support an author monthUpdate: Damian Trasler has taken up the Support an Author in May cause, has started a list on his Google + feed for anyone who wants to promote their book. Damian is a successful playwright who recently wrote a guest post for CommuniCATE. He’s worth following.

Following the feedback I’ve received from Sandra’s post on toxic critiques, I’d like to focus on unity within the writing community, and we are a community.

I’ve met many writers who stick together with their fellow wordsmiths. They generously take the time to ‘like,’ ‘plus one,’ share, recommend, comment, rate and mop up tears. More of us give than tear apart; that’s how it should be!

Please take a little extra time each week this month to support other writers. Ways you can do that include:

  • Buying that friend’s book that you have always meant to buy, but never gotten around to.
  • If you have read a free book, leave feedback and recommend the author. Never leave a giveaway or gift unrewarded.
  • Use your powers for good! Resisting the urge to leave a scathing negative critique. Ok, their work wasn’t your style or done to your standard. Let it be. Move on: don’t destroy.
  • Leave blog comments, likes, ratings and plus ones (Google Plus) where you can.
Expletives aside, the message is right!

Expletives aside, the message is right, no matter what topic we’re on.

  • Give a Written Act of Kindness Award (details are below.) You have no idea how much giving these awards has encouraged and blessed MY socks off! Make someone’s day.
  • Sponsor an initiative such as ROW80 to encourage other writers.
  • Send a struggling writer an e-card which encourages them.
  • Join a Facebook or Google Plus group and give one post a day a positive comment.
  • If you see a request for financial support on someone’s blog (when they are non-commercial and freely giving to other writers), even if you can just give a few dollars, please do. Some sites and blogs are expensive. They need help to run them.
  • Pass this post on to spread the word. The logos on this post are available for everyone to use.

REBLOGS WELCOMED


The Written Acts of Kindness Award

WrittenActsofKindnessAwardby cateartiosWhen someone inspires you, or if you see someone who is using their writing gift to help others, please take the time to thank them publicly by giving them this award (and the rules for passing it on.)

This award is open to anyone to use. You don’t have to receive it, in order to be able to give it. Please take the details and images off this page and use it to encourage another writer. The rules for passing it on are very simple:

  1. You are welcome to give it out as many times as you like, but it is only to be given to a maximum of one person per blog post. If you wish to give multiple rewards, please space the blog posts by at least a week, so the sincerity is maintained.
  2. Introduce the person; say how they encourage, help or inspire you; then link to their work and/or social media profiles. There may be a specific post you wish to link to which helped you. It’s up to you.
  3. Please publicise your award post to Twitter or Google Plus using the hashtag #writtenkindness so that others can find and follow the award winners.

Get the Award Badge and Code

Written Acts of Kindness Badge
<div align="center"><a href="http://cateartios.wordpress.com/" title="Written Acts of Kindness Badge" target="_blank"><img src="http://virtual-desk.com.au/SmallBadgeWrittenActsofKindnessAwardby%20cateartios.jpg" alt="Written Acts of Kindness Badge" style="border:none;" /></a></div>

Boxed code from “Grab My Button” Code Generator: http://www.mycoolrealm.com/sandbox/gbgen/


This blog post by Cate Russell-Cole is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. You are free to share and adapt it.

Coping with a Cynical Critique, by Sandra Nikolai


Equator-1-Gallery-300x225Like any writer who wants to succeed, I spent years learning about the profession and refining my skills. I attended writers’ conferences, studied how-to books on writing and publishing, and read piles of novels in a variety of genres.

Armed with a draft of my first mystery novel, I took the next step in the process: I found a mentor through a writers’ group I’d joined. My mentor offered to review the first and last thirty pages of my novel and email her comments to me after a month’s time.

At the end of the session, her email arrived and I was eager to read it. As my eyes flew over the words, disbelief stifled enthusiasm. Her remarks were sarcastic and stung as much on screen as if she’d read them out loud in a room full of people. She proposed drastic changes to the characters, settings, and plot. She even advised me to re-write the entire story in the third person. (I’d written it in the first person.) In closing, she defended her position as a “tough editor” and hoped her comments would help me write a better book.

You’ve got to be kidding!

My next reaction was to send “Miss Sarcastic” a nasty email but I decided against it. It wasn’t worth the time or energy to respond to someone who was inconsiderate and rude. I’d just file a complaint against her on the evaluation form I had to complete and send it off to the writers’ group headquarters. And yet…

I read Miss Sarcastic’s comments again. Her mocking attitude had dealt a serious blow to my ego, but what if she was right and my story did need a revamp? After all, she had a handful of published mystery novels under her belt and had mentored other writers. I was…well…green. Surely she must know what she’s talking about. And so I conceded, knowing that the revisions to my manuscript would entail a major upheaval. In fact, the task proved a lot more difficult than writing the book in the first place and took months out of my life. After I’d finished, I put it aside. When I read it a week later, I was disheartened. It was no longer my story. The changes I’d made had sucked the life right out of it. I hated it.

Not one to accept defeat, I reviewed Miss Sarcastic’s comments again—this time from an unbiased perspective. I dug out my original manuscript and integrated the changes that I felt would benefit the story and ignored the rest. After I finished, I had to admit it was a stronger novel.

I recently heard that my mentor has abandoned her writing career. Her book sales weren’t doing well, so she accepted a job with a media firm. If anything, I owe her a modicum of gratitude. The experience inspired me to set up guidelines that I’ve since followed when reviewing critiques of my work. I’d like to share them with other writers in the hope they might find them useful too:

1. Take the time to review a critique. Let it ferment. You might interpret it differently later on.

2. Try not to take a negative critique as a personal insult but consider it with an open mind.

3. A negative critique gives you a choice: either fix the problem or ignore it. Consider how any change will affect your story. Will it strengthen or weaken it?

4. No one knows your characters or plot as well as you do. If a suggestion for a change doesn’t fit— no matter how good it might sound, don’t force it into the story.

5. Growing as a writer means heeding your inner voice or gut feelings. Trust your writer’s instincts more often. If you believe that a change will improve the story, do it. If not, move on.

Happy writing!

CWC-Member

Meet Sandra Nikolai

Bio-234x300Sandra was raised in Montreal, Québec, and graduated from McGill University. As a young girl, she loved reading the Nancy Drew mystery series and was determined to write her own stories one day. Her career choices didn’t exactly lead her along the “yellow brick road” to writing mystery novels—though working in a bank and experiencing a string of armed robberies did ingrain terrifying memories worthy of a story!

In 2002, Sandra won an Honorable Mention in Canadian Writer’s Journal short fiction competition. She has since published a dozen short stories online and in print. False Impressions is her first mystery novel in a series featuring ghostwriter Megan Scott and investigative reporter Michael Elliott. She is currently working on Fatal Whispers, book two in the series.

Sandra is a member of Crime Writers of Canada and Capital Crime Writers.

You can catch up with Sandra at her beautiful website and blog:


This blog post is Copyright Sandra Nikolai 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without the author’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-use if it is for a commercial venture.

Yes, You Can Write Upside Down!

Calling all Aussies… and Kiwis who enjoy a paddle across the pond. These gems are coming up Down Under in May.

Worldwide festivals can be found on my Twitter festival list https://twitter.com/cateartios/writer-s-festivals

Sydney Writer’s Festival, May 14-20

Purchased from www.iStockphoto.com. You cannot use this image for any reason without buying it yourself.

Purchased from http://www.iStockphoto.com. You cannot use this image for any reason without buying it yourself.

“Sydney Writers’ Festival is Australia’s largest annual celebration of literature and ideas. Each year, we present over 300 events (half of them for free) and attract attendances of around 80,000 in venues that stretch from the Festival hub at Walsh Bay to the Blue Mountains. For one week every May we bring together authors of the very best contemporary fiction and writers of cutting edge nonfiction, including some of the world’s leading public intellectuals, scientists and journalists. With the finest literary writing at our core, our programming is driven by the ideas and issues that animate all forms of writing.”

http://www.swf.org.au/ 

Twitter: @SydWritersFest


The Emerging Writer’s Festival, May 23rd – June 2nd, Melbourne

This one is for writers and isn’t just reader based. “The Emerging Writers’ Festival is an independent arts organisation based in Melbourne’s Wheeler Centre for Books, Writing and Ideas. We exist in order to promote the interests of emerging writers – to improve their opportunities for professional development as well as their engagement with the broader public. Each year the Emerging Writers’ Festival brings writers, editors, publishers and literary performers together with the reading public for a festival that is fast becoming an essential part of Australia’s literary calendar.”

http://www.emergingwritersfestival.org.au/ewf-2013/ 

Twitter: @EmergingWriters

REBLOGS WELCOMED

Make The Iron Hot By Striking: Writing Every Day

69cb8cac6f9199b4d8faaf1ce33c9479In the whirlwind of writing advice, one can always find opposing viewpoints.  There are many writers who counsel writing every day, and just as many who find such strictures confining and harmful to creativity. I am one who needs to write every day; even if what I write does nothing to advance the work, it keeps me limber and creative.

When I was young, I thought I had to have the perfect conditions in order to write; my desk had to be clear; my paper and pens just so; all the research done and documented; and a minimum of four hours blocked out. Once everything had fermented in my brain, I was ready. It took me eight months to get ready, but I wrote my master’s thesis in 72 hours.

Then my life changed.  My days of reading and studying for hours were over. I found gainful employment; I had children.  My desk was littered with crackers and crayons, my paper creased and grimy, and my precious fountain pens locked safely away.  The day job offered me respite from disorganization, but filled my day with meetings and paperwork. My writing stuttered, and stopped.  I convinced myself that I had writer’s block.

Pen on NotebookI found ways to work around my writer’s block, and in so doing realized that I did not have writer’s block but unreasonable expectations. Still I yearned for time, space, and order. It took me a while, but I realized that I did have time to write, tucked away in the corners of my day job, during the early morning hours when everyone but the dogs were asleep. I did not need hours of time to write a work in a single sitting, but could draft, improve, refine, and tweak, in small pieces of time and space.  I did not have to write in linear fashion, but could choose a part of the work that called to me; I could delve into a character’s thoughts and history in a way that might not add words to the page but added depth to the character; I could explore a personal injury in order to find the words to express a character’s pain, grief, loss, or fear; I could write to vent, complain, whine, protest, or endeavor to understand.

“Not only strike while the iron is hot, but make it hot by striking.”
Oliver Cromwell

I have known the adage of striking while the iron is hot all my life.  When I saw the above quotation two weeks ago, I was overwhelmed by how right the second part sounded to me. The platitudes of “practice makes perfect,” “if at first you don’t succeed, try, try again,” and numerous others are founded on the notion that one must strike in order to heat the iron. It may not pertain to blacksmithing, but it explains how I write with pinpoint precision. I have used the metaphor of a mosaic to explain the way I write, and knitting as the metaphor for how I tie everything together. My need to touch the work every day, to keep it fresh and alive is expressed in the need to strike the iron. Everything extraneous to the work burns to ash and flies away in the heat of the smithy.

nla.pic-an24166489-v

Each person must find what constitutes striking the iron, as it will be different for each writer. Each bit of advice must be weighed in terms of one’s own personality, personal situation, and proclivities. The only universal advice I can offer is to find what works for you, and make it a habit.  Also, realize that what works may change given differing circumstances, and make assessing how it is working a habit as well.  A new day job, a new relationship, even a new workspace, will have an impact.  Assess and adjust, then make it your own.

Elizabeth is a librarian by day, and a non-fiction and historical fiction writer by night. She has trained as a Medievalist. You can visit her web site, Facebook page and Twitter feed.


This blog post is Copyright Elizabeth Anne Mitchell 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without the author’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-use if it is for a commercial venture. The image is owned by the State Library of Australia. http://nla.gov.au/nla.pic-an24166489 (Fitzpatrick, Jim, 1916- Portrait of Ernest Edwards, blacksmith of Drouin, Victoria, 1944/1945)

The Best Kept Editing Secret

BUSIN031In 2000 I published a memoir writing course. It has been revised four times and edited by three trained editors: two at University level. I have put countless hours of work into perfecting it, but guess what? If you read through, you will still find very small typos hidden in it like Easter Eggs. That drives me to screaming point!

It’s not just me. Since I’ve switched to e-books, I am finding frequent mistakes in books from best selling authors, distributed through traditional publishing houses. One mistake was of an unrelated sexual nature and the spell checker, or editor, should have easily picked it up. It looks like the editing monsters are tormenting more souls than mine!

So why does this happen? Let me tell you the secret. When I researched “Unleashing Your Creative Spirit,” I delved into theories on memory and how it functions. Your brain is the busiest organ in your body. It runs your internal organs, all your movements, your memory, computes stimuli from your five senses, logs time, drives your subconscious thinking processes and deals with what you are doing now: reading. At the same time, it makes sure you aren’t hot / cold / hungry / thirsty / tired / in pain, or about to be run over by a bus! It has to compute what is around you, plus predict what to expect next.

That is a massive workload to achieve all at once! So the brain, being smart, has brilliant means of conserving energy. It’s actually very eco-friendly, but that’s sometimes to a writer’s detriment.

Have you ever been to a friend’s place and said, “You’ve repainted,” just to have them look at you strangely and tell you they did if five years ago? Of course, it will be the home of that friend you visit fairly frequently. It’s a common faux pas. We all go to familiar places and say, “I never noticed that before.” It happens because in order to save the energy it takes to log all the details, your brain does a quick scan and just takes in what is the most important. For what it considers to be familiar or non-essential details, it relies on memory, or blocks stimuli out.

How does this work with editing? When you have read the same paragraph ten times, it becomes too familiar. The brain automatically decides that you don’t need to re-log all that, so mistakes go unnoticed. You’ve seen those emails where you can still read sentences, even though the letters in the middle of the words are mixed up? They work because a familiar pattern is identified and you auto-fill the rest.

BUS2So, how do we overcome this? Make your work look new! When I started blogging, I discovered that I would pick up mistakes in WordPress’ preview mode that I couldn’t see in the writing window. In preview, the font size differed and words were in different spots on the page. If you’re working in a word processor, you can try for the same effect by changing fonts, changing margin widths, altering text color, or opening the document in a totally different word processor.

The other lifesaver I use is to put my work aside, wait 48 hours then edit again. That gives my brain a chance to re-set.

So don’t beat yourself up over the occasional small typo. We all make them. Do everything you can to prevent the slip-ups from happening and remember: it’s all because you’re just too efficient!

News just to hand: starting March 1st there is a free initiative running named “National Novel Editing Month.” Your goal is 50 hours in March. Join here: http://www.test.nanoedmo.net/


http://www.amazon.com/Unleashing-Your-Creative-Spirit-ebook/dp/B0083H7MZ8/ref=la_B0083MVRJK_1_1?ie=UTF8&qid=1337129988&sr=1-1   http://www.amazon.com/dp/B00A9NJ9FA   http://www.amazon.com/dp/B00856U6IC   Building Emotionally Realistic Characters Cover   http://www.amazon.com/dp/B00855L9SY    http://www.virtual-desk.com.au/avoidbackpain.html

Please click on the book cover to order. You’re also welcome visit Cate’s website for full book details and to read sample pages.

This article / blog post is Copyright Cate Russell-Cole 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without Cate’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-using her work if it is for a commercial venture. Link sharing and Pinterest pins are most welcome as long as Cate is the attributed Author.

No images on this blog may be copied, captured, or altered for your own purpose without the consent of the originating owner.

 

Spiritual Gains Through Journalling

Photo Copyright Sam Mugraby, http://www.photos8.com

I have always had a very strong spiritual side to my life. After I wrote the “Write Your Life Story” memoir and journal writing course, I took that material, adapted it, and placed it in a practical, Christian workshop on prayer. It has now been released as an e-book on Amazon.com. Prayer Journal Workshop has been designed to encourage you to start and maintain your own prayer journal: a way of praying on paper.

Prayer is one of the aspects of the Christian life that everyone struggles with! We know we should… we try and make time and often we fail to live up to the goals we have set ourselves. Trying to get into the swing of praying, can feel as elusive as trying to capture a rainbow in a bottle. I have been through many battles with prayer. I am not a formal person, and a formal prayer time just doesn’t work with, or appeal to me at all. No matter what I did, I couldn’t get motivated to pray properly. One day, the guilt drove me to ask God for help. God placed a passion on my heart for prayer that has been a and companion ever since. Once I realized that I could just be myself, I enjoyed talking to God. I was able to develop an enthusiasm for prayer. Being a journal keeper from way back, I sometimes find I prefer talk to God on paper. I can express what I am feeling better; it helps me work through the fuzziness in my head; and the act of writing helps me concentrate.

A prayer journal is just like any other kind of journal. You set aside some time every day to write about what is happening in your life. What makes your prayer journal more special than any other kind of diary or journal, is it is written to the Lord: one long prayer. If you have trouble getting up early to pray, or find it hard to close your eyes and try to stay in focus, maybe a prayer journal will help you. The act of writing will keep you centred on what you are doing. It isn’t formal, but it can be if you want it to. It can also contain your deepest thoughts, feelings, hopes and dreams. You can write it in the same way you would write a letter to a friend; or along the same lines as a conversation you would have with someone you can trust and confide in. God is interested in every aspect of our life, big and small, silly or solemn. A prayer journal is a way to track where you have grown and been blessed, as you read back through the pages.

If everyone was to write a prayer journal, you would never find two the same. We all relate to God in different ways. Some people call Him “Master“, some “Dad,” some have pet names. Some will tell God about their day: what worries them, they may write poems of praise, or copy down Scriptures that reflect how they feel. In a prayer journal you are free to relate with God however you do best. You can praise Him, ask Him questions about what to do, or things you don’t understand. You can place your prayer requests down in writing for people you know in need, which can also help you to remember to pray for them again in coming days.

Some people like to read devotions every day and write down what they learnt, or how it affected them. A prayer journal is also a great place for this. Others like to take their prayer journal to church or Bible Study, and jot down the points they want to remember. What you do and don’t want to include, is up to you and the Lord to decide together. The main idea is to be open, honest, and to set aside that time as a part of your time with God.

If you are struggling with prayer, consider getting yourself a prayer journal and see if it will make a difference in the way you relate to God. You may find it’s easier to spend time praying on paper than you could praying before. Whatever your experience, my prayer is that you will be blessed, and that it will be a tool to draw you nearer to the Lord.

If you would like to work through a structured and more comprehensive guide to prayer journalling, please buy the e-book from Amazon.com. It includes prompts and other additional helpful resources. The book is $2.99 and available worldwide.

This article / blog post is Copyright Cate Russell-Cole 2012. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without Cate’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-using her work if it is for a commercial venture. Link sharing and Pinterest pins are most welcome as long as Cate is the attributed Author.

No images on this blog may be copied, captured, or altered for your own purpose without the consent of the originating owner. Where images are marked as being iStockphoto.com images, they are paid for and licenced to Cate for use on this blog. If you take them, iStockphoto.com has the right to take legal action against you for Copyright Infringement.

Please see the Blog Content and Image Copyright page of this blog for further information in regards to Guest Posts, other images, Cate’s checks on infringements and Liability.

 

Learning Curve: Editing and Publishing

The Writer’s Coffee Shop contacted me early last year and asked if I would be interested in writing a novel. They had seen some of my online stories, one of which had become surprisingly popular. Those online stories were the only writing I have ever done. I have no formal training, not even an online course, and so it was a matter of learning to be a writer as I went, making mistakes and trying to learn from them.

The editing process taught me the most. I had two different editors, and both of them had something different to teach me. Most of the time, authors are assigned one editor who continues working with them in their next books, but scheduling issues prevented me from having the same team on the second book.  It was such a great learning opportunity I told them I would be okay with it if they wanted to assign a new editor to me for the third.

Lissa-Bryan-Ghostwriter-Front-Cover-WebresI used to correspond with a published author. Her writing advice was the best I have ever been given: “Every scene, every sentence, every word, must drive the plot forward. If it doesn’t move the plot or reveal something important about the characters, cut it. If you can cut it without impacting your novel, it’s just dead weight, dragging your story down.” It is not easy to do. Even with that advice in mind, there were “dead weight” scenes in my manuscript I didn’t want to cut. I tried to make excuses for them, but in the end, I had to admit they served no real purpose, no matter how much I liked them. This one of the things a good editor does for you: gently, but firmly forces you to see where you’ve gone off-track.

One of the first things my editor did was send the manuscript back to me with all of the uses of the word “that” highlighted. “That” is one of the most over-used words in the English language. If the sentence makes sense without it, cut it. I was able to trim out an embarrassingly large number of them.

My second crime against literature was my passionate love for adverbs. Stephen King says the road to hell is paved with them, and he is right. They often tie into that old saying, Show, don’t tell, which was another struggle of mine. It is the difference between writing, “He paced angrily,” and “He paced with his hands clenched, his eyes narrowed and glittering.” The first tells us what he is feeling, the second shows us his emotional state through his body language.

It is part of learning to trust your reader. There’s an old story, likely apocryphal, Hemmingway bet a friend that he could write an entire story in just six words. He won the bet with this: “For sale: baby shoes, never worn.” With those six words, he gives the reader a full picture, because your mind supplies the necessary details: the crushed hopes of a bereaved family in a dire financial state. Sometimes, the most powerful words are those left unwritten.

theendofallthingsSome of these lessons I learned only in retrospect, but writing is a lifelong journey.  I can’t regret my mistakes, because they were valuable lessons. “We’re all apprentices in a craft where none is truly a master,” as the saying goes. I cannot wait to see what I will learn next.

Contact and Follow Lissa:
Blog: http://lissabryan.blogspot.com
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Facebook: http://www.facebook.com/lissa.bryan
GoodReads: http://www.goodreads.com/author/show/5442345.Lissa_Bryan
Buy: http://ph.thewriterscoffeeshop.com/authors/detail/42

http://www.amazon.com/Lissa-Bryan/e/B009N6CFTQ

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This blog post is Copyright Lissa Bryan 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without the author’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-use if it is for a commercial venture.

Three Warning Signs When Bringing Your Own Emotions into Fiction Writing

Have you ever been working on a first draft and written down something where you had to stop and say, “Whoa! Where did that come from?”

I’m not talking about being so overly impressed with your own ability to write prose, I’m talking about moments where characters give voice to an emotion you didn’t realize you had. You’re going through a tough time financially or emotionally (or finacially AND emotionally), and out of nowhere you’re confronted with a scene where a character screams out, “I just want to be able to stop worrying about how I’m going to pay for the kids’ lunches next week!”

Suddenly, you’re staring your beleaguered emotional self in the eyes when you thought you were just taking a little time to escape into your story. How did that happen?!

Of course, we know that our emotions don’t just disappear when we turn to writing, even if we wish they would. In fact, it’s our own emotions that make our writing more powerful. Art is a living, moving thing. Without emotion, you’re just writing instruction manuals. They may serve a purpose, but they sure ain’t fun to read.

Beta-Testing Real Life

pj_in_oz from flickr I’ve recently become enamored with the works of Cory Doctorow. Mr. Doctorow is a big sci-fi fan and a techie at heart, so his sensibilities especially appeal to me. In a recent interview with Wired, Doctorow stated that he used his characters to sometimes “beta-test” ideas that he had for handling problems. If the solution seemed feasible in his fictional universe, then perhaps the idea could work in real life.

We face emotion in our writing every time we sit down at the computer, but we actually have the power to do something about the problems facing our characters. If we’re true to our stories and we take the process seriously, then we’ll have to come up with credible solutions.

I like to write big sci-fi adventures, but it would seem as if there isn’t much room to apply solutions to real life problems.

The same may be true for your writing. You may not be an Indiana Jones or a Lara Croft in your day-to-day living. You don’t live in Victorian England or the 24th century, so not all your proposed problems in your story will be relevant to your life.

But the emotions… Ah, yes, the emotions can apply. You can express your frustration, your sorrow, your joy, your child-like sense of enthusiasm. You can let those emotions flow on the page, and you can watch as they crash into the rocks of resistance. And then, you have to decide how to overcome that resistance. You can finally write the conversation you’ll have with the bully at your work or at your parent-teacher organization. You can write out honest responses to those who would doubt your dreams. You can share the depth of your sorrow with those who would just tell you to get over your hurts and ignore your past.

You can express yourself.

The Warning Signs

80415260_fba14a5e6cBefore baring your emotions to the world, you’ll want to keep in mind a few words of caution. Emotions can either derail or enrich your story, so make sure you’re getting the most out of them.

1. Keep your character’s motivation in mind when expressing emotion in your story. — Do your character’s emotions make sense, or are they just a reflection of what you’re feeling at the moment?

The problem with including personal emotion in story is that we can become too attached. We argue the emotions are “true,” so they have to stay there. Just remember, you’re writing a character. Your struggles still aren’t exactly the same, no matter how similar you are to your character.

Remember, the reader only knows about the world you present in your story. If you pull too much from your life, then you run the risk of leaving the reader without any sense of context in the life and world of the character.

2. Your emotional struggles may not be very entertaining. — Sure, your emotions are real, and you need to find a way to deal with them. Your readers may not be able to relate, or they might find the issue boring. I might struggle with coding a website for the day. I can try to convey that to my wife, but she just isn’t deeply interested. She cares about me, but the problems and, to some extent, the emotions connected don’t resonate.

Get an editor or proofreaders to help you figure out which emotions are the most important and the most resonant for your audience.

3. Watch out for the “everyone lives happily ever after.” — When we put our characters through a rigorous ordeal, rich with emotion and strife, we have to make sure that our characters earn the solution they find. As much as it would help in the storytelling process at times, tough problems rarely just “get better” all on their own. (That would make for some pretty boring stories. Right?)

We can’t make the solutions too simple for our characters after they’ve been pouring their hearts out through the course of the entire story. This may mean that your character gradually solves a problem. He or she may have to leave a situation or have a showdown with someone. Emotion means that things are building up, and there has to be some sort of release to allow emotions like peace and happiness to enter the picture.

Your Emotional Journey

Keep these warnings in mind, and your emotions can serve you in telling richer stories.
How has your experience been with tying in strong emotions to your writing? Do you feel like it got you off track? Have you ever been surprised by your emotions while writing? We’d love to hear from you in the comments below.


profile-michael-204x300Michael W. Roberts just finished the rough draft of his first novel and was surprised by how emotional he got over it. He works extensively in web media, and he blogs about writing, creativity, and communication on his site http://MichaelWRoberts.com

This blog post is Copyright Michael W Roberts 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without the author’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-use if it is for a commercial venture. The train sign photo is owned by pj_in_oz on Flickr and the electrocution sign by r000pert. Used under a Creative Commons Licence.

Get Yourself A Second Brain

Kikki-K

I know a lot of writers who are stationary buffs, so you’ll understand what I’m talking about. Half way through last year, I got frustrated and threw my diary out. I wasn’t pitching a fit over a trivial incident, I just ran out of room. Even worse, I am a diary fanatic. That book is my second brain and I am totally dependent on it!

All my diaries are lovingly and carefully chosen for size and features: and this was one of the best I have ever had. It had the month to a page at the beginning of each month, week to a page view, business card section and every month had a neat divider, so I could flick around and schedule. It hadn’t been a cheapie either! For a diary of that calibre to bite the dust, something had dramatically changed.

The good news is, that change was success at what I was doing! I was writing more and I needed planning space. I don’t have many appointments, so my diary pages are devoted to work to-do’s, time tallies and reminders of event preparation. It never leaves my desk, as I must look at it every day, or I have no idea where I am up to. My head is too full to fly by the seat of my pants.

I have converted to digital as much as I can, but there’s a catch. I always need information fast when my computer is off, there is a thunderstorm or my iPad has run out of battery life! I use my iPod touch when I go out, but I still need the ease of paper. Some days you want to jot down an idea before it’s lost; plus I was totally sick of rummaging around my desk trying to find the separate blog post idea folder, the phone bill, my shopping list for the business, the guest post schedule, my e-book outlines! I just wanted one space which had everything. It was a way to save time and sanity.

So I did it the easy way. I grabbed a lever arch file out of my cupboard, printed off my iCal calendar for 15 months in both month to a view and week to a view, then put in month and subject dividers. It’s been the most useful tool I’ve ever devised! My iCal files have all our financial reminders, birthdays and public holidays logged in. So they immediately appear on the pages, coded in colour. I have separated my blog posts, time sheets and other essentials with dividers and all I do now is flick it open. The best thing is, if I totally mess up a page as schedules and plans have changed: it easily gets reprinted. No more using correction fluid that never works properly, or building up layers upon layers of white stickers I can write over the top of. My diaries never used to shut properly anyway!

Dividers come in numbers, months, blank tabs or A-Z and are dirt cheap.

In the past I have had swish Debden diaries with the gorgeous leather cover, many customisation options and that wonderful ruler which marks where you are. That hobby was expensive, plus I loathe working in black and white! By printing an A4 diary, for each week I also have an adjoining blank page I can use as a scrapbook, or extra note space. I invested in quotation stickers from Kikki-K to brighten it up and it’s a pleasant space to work. Plus it does fit in my brief case; though I take the option of removing the small part of the diary I need and taking it in a flat file. Less weight is always welcome.

So if you too are having space and memory issues: plug your regular items into your computer, print it, throw it in a folder and enjoy the outcome. Sometimes the simple solutions just work better.


This blog post by Cate Russell-Cole is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. You are free to share and adapt it.

No images on this blog may be copied, captured, or altered for your own purpose without the consent of the originating owner. Please see the Blog Content and Image Copyright page of this blog for further information in regards to Guest Posts, other images, Cate’s checks on infringements and Liability.