
Like any writer who wants to succeed, I spent years learning about the profession and refining my skills. I attended writers’ conferences, studied how-to books on writing and publishing, and read piles of novels in a variety of genres.
Armed with a draft of my first mystery novel, I took the next step in the process: I found a mentor through a writers’ group I’d joined. My mentor offered to review the first and last thirty pages of my novel and email her comments to me after a month’s time.
At the end of the session, her email arrived and I was eager to read it. As my eyes flew over the words, disbelief stifled enthusiasm. Her remarks were sarcastic and stung as much on screen as if she’d read them out loud in a room full of people. She proposed drastic changes to the characters, settings, and plot. She even advised me to re-write the entire story in the third person. (I’d written it in the first person.) In closing, she defended her position as a “tough editor” and hoped her comments would help me write a better book.
You’ve got to be kidding!
My next reaction was to send “Miss Sarcastic” a nasty email but I decided against it. It wasn’t worth the time or energy to respond to someone who was inconsiderate and rude. I’d just file a complaint against her on the evaluation form I had to complete and send it off to the writers’ group headquarters. And yet…

Available from Amazon Kindle http://www.amazon.com/Impressions-Michael-Elliott-mystery-ebook/dp/B0086WMMZ0/ref=sr_1_6?s=digital-text&ie=UTF8&qid=1338295012&sr=1-6
I read Miss Sarcastic’s comments again. Her mocking attitude had dealt a serious blow to my ego, but what if she was right and my story did need a revamp? After all, she had a handful of published mystery novels under her belt and had mentored other writers. I was…well…green. Surely she must know what she’s talking about. And so I conceded, knowing that the revisions to my manuscript would entail a major upheaval. In fact, the task proved a lot more difficult than writing the book in the first place and took months out of my life. After I’d finished, I put it aside. When I read it a week later, I was disheartened. It was no longer my story. The changes I’d made had sucked the life right out of it. I hated it.
Not one to accept defeat, I reviewed Miss Sarcastic’s comments again—this time from an unbiased perspective. I dug out my original manuscript and integrated the changes that I felt would benefit the story and ignored the rest. After I finished, I had to admit it was a stronger novel.
I recently heard that my mentor has abandoned her writing career. Her book sales weren’t doing well, so she accepted a job with a media firm. If anything, I owe her a modicum of gratitude. The experience inspired me to set up guidelines that I’ve since followed when reviewing critiques of my work. I’d like to share them with other writers in the hope they might find them useful too:
1. Take the time to review a critique. Let it ferment. You might interpret it differently later on.
2. Try not to take a negative critique as a personal insult but consider it with an open mind.
3. A negative critique gives you a choice: either fix the problem or ignore it. Consider how any change will affect your story. Will it strengthen or weaken it?
4. No one knows your characters or plot as well as you do. If a suggestion for a change doesn’t fit— no matter how good it might sound, don’t force it into the story.
5. Growing as a writer means heeding your inner voice or gut feelings. Trust your writer’s instincts more often. If you believe that a change will improve the story, do it. If not, move on.
Happy writing!

Meet Sandra Nikolai
Sandra was raised in Montreal, Québec, and graduated from McGill University. As a young girl, she loved reading the Nancy Drew mystery series and was determined to write her own stories one day. Her career choices didn’t exactly lead her along the “yellow brick road” to writing mystery novels—though working in a bank and experiencing a string of armed robberies did ingrain terrifying memories worthy of a story!
In 2002, Sandra won an Honorable Mention in Canadian Writer’s Journal short fiction competition. She has since published a dozen short stories online and in print. False Impressions is her first mystery novel in a series featuring ghostwriter Megan Scott and investigative reporter Michael Elliott. She is currently working on Fatal Whispers, book two in the series.
Sandra is a member of Crime Writers of Canada and Capital Crime Writers.
You can catch up with Sandra at her beautiful website and blog:
- http://sandranikolai.com/
- http://sandranikolai.com/blog/
- Buy False Impressions from Amazon Kindle
This blog post is Copyright Sandra Nikolai 2013. All rights are reserved Internationally. You may not reproduce it in any form, in part of whole, without the author’s prior written permission. That includes usage in forms such as print, audio and digital imaging including pdf, jpg, png etc. A fee may be requested for re-use if it is for a commercial venture.
In 2000 I published a memoir writing course. It has been revised four times and edited by three trained editors: two at University level. I have put countless hours of work into perfecting it, but guess what? If you read through, you will still find very small typos hidden in it like Easter Eggs. That drives me to screaming point!
So, how do we overcome this? Make your work look new! When I started blogging, I discovered that I would pick up mistakes in WordPress’ preview mode that I couldn’t see in the writing window. In preview, the font size differed and words were in different spots on the page. If you’re working in a word processor, you can try for the same effect by changing fonts, changing margin widths, altering text color, or opening the document in a totally different word processor.





At 49 I felt compelled to write a book. Not something I’d always wanted to do. I figured maybe it was just time to finally record all those stories about my ancestors who had been in South Africa since the 1800s, as well as my own stories about growing up in a small Zambian copper mining town; plus a two-year stint on a sisal plantation in Zimbabwe. This was before the two countries were independent, when colonial power held sway, when the bush was full of animals. And then there were all those road trips my family took to the Congo, Malawi, Kenya and Tanzania. The time an elephant chased our car for over five miles, forcing my dad to reverse down an excuse for a dirt road before the elephant gave up. The time we spent in the shadow of Mount Kilimanjaro with a crazy Belgian who kept wild animals for film-makers’ use; as well as that episode in Kenya when the 
I immersed myself in the past and all those feelings I had suppressed. The white girl became more vulnerable, a little less reactive and rebellious; her mother more loving and sympathetic than my own distant mother had ever been; the father more fallible than I’d always believed my own father to be. Overall every character grew, including Africa, a country with which I’ve always had a love-hate relationship. In the end, what I managed to produce was a fully realized coming-of-age story. Both for the protagonists, but especially for me. Through the power of words, I had set down roots in time and explored my own personal myths, uncovered their purpose and grounded myself in a way I might not have been able to do otherwise.




Petwrification / Petwrified (verb) pet-wri-fi-cation


One of the greatest problems creative people have had, is that really good ideas don’t always receive the reception they deserve. You will always come up against the grouches who wouldn’t do it that way, or think your ideas stink! Never mind the critics. They are thoroughly capable of being completely wrong! Do you think the authors of great novels were told any differently? Can you imagine what some people would have said to Suzanne Collins when she told them her idea for The Hunger Games?
Enlightenment: the “full comprehension of a situation;” a spiritual revelation or deep insight into the meaning and purpose of all things, communication with or understanding of the mind of God, profound spiritual understanding or a fundamentally changed consciousness… 











I am being asked more and more, “how do I sell my work?” “How do I write when I have no money for editing and book covers?” “How can I get my out-of-print books up and into circulation again?”